Reviews

Love Beyond Body, Space and Time: An Anthology of Indigenous LGBT+/Two-Spirit Stories

Love Beyond Body, Space, and TimeTitle: Love Beyond Body, Space and Time
Author(s): Hope Nicholson (editor), David Alexander Robertson, Cherie Dimaline, Gwen Benaway, Richard Van Camp, Nathan Adler, Daniel Heath Justice, Darcie Little Badger, Cleo Keahna, Mari Kurisato
Series: 
Genre: SFF
Pages: 117
Published: 
August 24th 2016 by Bedside Press
LGBTQAI+: Indigenous people of various non-allocishet identities

I received a copy through NetGalley in exchange for an honest review.

Love Beyond Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman undergoing an experimental transition process to young lovers separated through decades and meeting in their own far future. These are stories of machines and magic, love and self-love.

Stories featured are by an all-star cast of writers including:
Cherie Dimaline (The Girl Who Grew a Galaxy, Red Rooms)
Gwen Benaway (Ceremonies for the Dead)
David Robertson (Betty: The Helen Betty Osborne Story, Tales From Big Spirit)
Richard Van Camp (The Lesser Blessed, Three Feathers)
Nathan Adler (Wrist)
Daniel Heath Justice (The Way of Thorn and Thunder: The Kynship Chronicles)
Darcie Little Badger (Nkásht íí, The Sea Under Texas)
Cleo Keahna

This book has been on my TBR for a long time, so I was enthustiastic to see it was available on NetGalley. I have already read two of the stories before, Transitions by Gwen Benaway and Né łe! by Darcie Little Badger, and I loved both. Né łe! is about two lesbians in space with a lot of dogs, while Transitions is about an indigenous trans woman dealing with transition.

The anthology starts with a letter from the editor, then two different introductions/essays about the history and present of real-life two-spirit people and their place in their communities. After this, there are eight short stories and one poem, all by indigenous authors, and all with protagonists who defy hetero- and cisnormative rules.

Other than the two stories I read previously, there was another three that really stood out to me:

  1. The Boys Who Became Hummingbirds by Daniel Heath Justice is a wonderful and colourful story about being yourself, often despite being afraid, and the beauty that it brings.
  2. Imposter Syndrome by Mari Kurisato is… you know, I’m not entirely sure what this story is about, but I loved it anyway.
  3. Valediction at the Star View Motel by Nathan Adler has two girls in love, sisters beign protective, and other family relationships.

My individual ratings are the following:

Richard Van Camp: Aliens – 4/5

Cherie Dimaline: Legends Are Made, Not Born – 4/5

David A. Robertson: Perfectly You – 3/5

Daniel Heath Justice: The Boys Who Became Hummingbirds – 5/5

Darcie Little Badger: Né łe! – 5/5

Gwen Benaway: Transitions – 5/5

Mari Kurisato: Imposter Syndrome – 4.5/5

Nathan Adler: Valediction at the Star View Motel – 5/5

Cleo Keahna: Parallax – 3/5

Which averages at 4.2 stars.

~ Alexa

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Reviews

The Prophetic Huntress and the Warrior Princess: Outrun the Wind

Outrun the WindTitle: Outrun the Wind
Author(s): Elizabeth Tammi
Series: 
Genre: Greek mythology, Fantasy
Published: November 27th 2018 by Flux
LGBTQAI+: bisexual female MC, lesbian MC, F/F ship
I received an ARC from the publisher through NetGalley in exchange for an honest review.

This review originally appeared on The Lesbrary on November 11th, 2018.

The Huntresses of Artemis must obey two rules: never disobey the goddess, and never fall in love. After being rescued from a harrowing life as an Oracle of Delphi, Kahina is glad to be a part of the Hunt; living among a group of female warriors gives her a chance to reclaim her strength, even while her prophetic powers linger. But when a routine mission goes awry, Kahina breaks the first rule in order to save the legendary huntress Atalanta.

To earn back Artemis’s favor, Kahina must complete a dangerous task in the kingdom of Arkadia— where the king’s daughter is revealed to be none other than Atalanta. Still reeling from her disastrous quest and her father’s insistence on marriage, Atalanta isn’t sure what to make of Kahina. As her connection to Atalanta deepens, Kahina finds herself in danger of breaking Artemis’ second rule.

She helps Atalanta devise a dangerous game to avoid marriage, and word spreads throughout Greece, attracting suitors willing to tempt fate to go up against Atalanta in a race for her hand. But when the men responsible for both the girls’ dark pasts arrive, the game turns deadly.

Outrun the Wind has been on my list of most anticipated releases ever since I saw that magical cover, and learned that it is a Greek mythology love story between two complicated young women. I love reading stories based on Greek mythology, but most of the ones I’ve read recently were modern retellings, so I was glad to read a more classical one.

This book did not disappoint. Outrun the Wind pulled me in from the beginning with the writing style, the story and the characters. The warrior-turned-princess, and the huntress with the prophetic gifts. And, of course, the gods, who somehow managed to be even bigger jerks than I expected. I wasn’t familiar with Atalanta’s myth before, but that didn’t stop me from enjoying this book at all – while it has elements from the canon myths, it also adds several new characters and fills Atalanta’s life with people.

I loved that this story was about two young women who were both hurt by men, but they managed to stay strong, get revenge, and heal together. Of course, nothing comes easily – their relationship develops gradually from animosity to love, so if you’re into that kind of thing, you might love this book.

One thing that was really strange to me is Artemis’s behaviour at the very beginning of the book, that Atalanta herself points out. You would think that a maiden goddess who renounced men and has a group of female warriors helping her would respect female warriors more and wouldn’t see them as subordinate to their male companions. I had minor issues with Apollo’s character as well, but those are more subjective (and possibly due to me still being under the effect of The Trials of Apollo) – however, this bit with Artemis just simply didn’t make much sense to me. I also would have loved to see more gods or Greek mythical figures maybe.

All in all, I thought this book was great for a debut novel, and while it could have used some more polishing, I definitely recommend it to anyone who likes Greek myths, or just fantasy with sapphic characters. (Also, I squeed when the title of the book was mentioned.)

tw: attempted sexual assault

~ Alexa

Reviews

Dear Transphobes, Destiny Says You Suck: No Man Of Woman Born

No Man of Woman Born (Rewoven Tales)Title: No Man Of Woman Born
Author(s): Ana Mardoll
Series: 
Number of stories: 7
Genre: Fantasy, Retelling
Published: July 10th 2018 by Acacia Moon Publishing
LGBTQAI+: nonbinary and binary transgender protagonists in every story(Note: I bought this book with my own money, and then downloaded it from NetGalley too because why not.)

Destiny sees what others don’t. 

A quiet fisher mourning the loss of xer sister to a cruel dragon. A clever hedge-witch gathering knowledge in a hostile land. A son seeking vengeance for his father’s death. A daughter claiming the legacy denied her. A princess laboring under an unbreakable curse. A young resistance fighter questioning everything he’s ever known. A little girl willing to battle a dragon for the sake of a wish. These heroes and heroines emerge from adversity into triumph, recognizing they can be more than they ever imagined: chosen ones of destiny. 

From the author of the Earthside series and the Rewoven Tales novels, No Man of Woman Born is a collection of seven fantasy stories in which transgender and nonbinary characters subvert and fulfill gendered prophecies. These prophecies recognize and acknowledge each character’s gender, even when others do not. Note: No trans or nonbinary characters were killed in the making of this book. Trigger warnings and neopronoun pronunciation guides are provided for each story. 

Rating: 4.5 stars

This collection of seven stories has been one of my most anticipated releases ever since I found out about it. It’s a collection written by a nonbinary author, for trans readers, “with cis audiences welcomed but not centered”. I was already in tears by the end of the author’s note at the beginning.

No Man of Woman Born plays around with gendered prophecies by using transgender and/or nonbinary protagonists. I loved seeing how the different prophecies are worded, and I loved guessing while reading what the solution to the particular prophecy would be – as well as the ways people can misinterpret it, as in the case of King’s Favor.

I also loved that the book includes content warnings and neopronoun pronunciation guides as well.

Tangled Nets: 4/5 stars. Nonbinary protagonist, dragons, sacrifices. It wasn’t my favourite, but a nice warm-up.

King’s Favor: 4.5/5 stars. Nonbinary protagonist, witches, queens – and a very entertaining misinterpretation of the prophecy. Plus, a great side character, and an even better protagonist.

His Father’s Son: 5/5 stars. Trans guy protagonist on a revenge quest. I would have loved to see the villain’s face.

Daughter of Kings: 4/5 stars. Sapphic* trans girl protagonist with Arthurian sword-in-the-stone elements. (*There is no romance in the story, but it’s hinted that she likes girls.)

Early to Rise: 5/5 stars. Genderfluid, possibly aromantic Cinderella. This was one of my favourite stories, and the best curse-loophole. Also one of the only stories where the solution was completely different from what I expected.

No Man of Woman Born: 5/5 stars. One of the strongest stories – no wonder this one gave its name to the collection. Women, girls, nonbinary people and others who could be argued to fit the prophecy rally around to kill the evil king. Has a questioning protagonist, a parent who comes out in adulthood, and several trans or nonbinary side characters.

The Wish-Giver: 4/5 stars. Kind of simple compared to the others, but incredibly sweet, and overall a nice ending to the collection. Also, it has a female dragon, so kudos for that. (And some ironic commentary on binary colour-coding children.)

~ Alexa

 

Reviews

Beauty and the Beast with Dragons: In The Vanishers’ Palace

In the Vanishers’ PalaceTitle: In the Vanishers’ Palace
Author(s): Aliette de Bodard
Series: 
Genre: Fantasy, Retelling
Published: October 16th 2018 by JABberwocky Literary Agency
LGBTQAI+: main F/F ship, nonbinary side characters
I received an ARC from the publisher through NetGalley in exchange for an honest review.

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land…

A woman, betrayed, terrified, sold into indenture to pay her village’s debts and struggling to survive in a spirit world.

A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement.

But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

My rating: 4 stars

I had to read this entire book before I realised it’s written by the author of The Tea Master and the Detective, the Sherlock retelling I’ve been meaning to read.

In The Vanishers’ Palace is a retelling of Beauty and the Beast where Beauty is a scholar and the Beast is a spirit dragon that lives in a Palace impossible to understand. Also, they’re both women.

This was a brilliantly written novel with fantastically visual descriptions, although it made my head spin sometimes. The world and the culture whose mythology its based on was very unfamiliar and sometimes I felt like I was lacking some basic knowledge to really understand, but I still enjoyed becoming familiar.

My favourite part was that while – other than the names – this book is written entirely in English, it was obvious that it is translated from a language other than English. I found the references to the many pronouns the characters use very interesting: they all refer to each other as family members in some way, even strangers (which was a little at odds with the complicated, antagonistic relationships sometimes).

The book has two major nonbinary side characters, but that is not the only reason why it’s nonbinary-friendly. Nobody’s gender in this book is assumed by their appearance, and they are only referred to with gendered terms once they established it with the language they use for themselves.

I think in a way the story is secondary to the worldbuilding and characterisation in this book, so I can’t say much about the story. As for the characters, I loved the development they all go through, and the “Beast” having children to care for was something I didn’t expect (because clearly I didn’t read the full blurb before heading in – I’m sorry!).

I’m going to be honest, the “dark, unspeakable secrets” mentioned in the blurb were a little anticlimatic for me, but I’m sure Yên didn’t feel the same way.

All in all, I have very positive feelings about this book, even if the descriptions were a little difficult to wrap my head around sometimes.

~ Alexa

Reviews

The Navigator’s Touch: From Ariel to Captain Hook

The Navigator's Touch (The Seafarer's Kiss, #2)Title: The Navigator’s Touch
Author(s): Julia Ember
Series: The Seafarer’s Kiss #2
Genre: Fantasy, Retelling, Mythology
Published: September 13th 2018 by Duet Books
LGBTQAI+: lesbian main character, bisexual love interest, nonbinary side characters
Other representation: disabled main character, fat love interest

After invaders destroyed her village, murdered her family, and took her prisoner, shield-maiden Ragna is hungry for revenge. A trained warrior, she is ready to fight for her home, but with only a mermaid and a crew of disloyal mercenaries to aid her, Ragna knows she needs new allies. Guided by the magical maps on her skin, battling storms and mutiny, Ragna sets sail across the Northern Sea.

She petitions the Jarl in Skjordal for aid, but despite Ragna’s rank and fighting ability, the Jarl sees only a young girl, too inexperienced to lead, unworthy of help. To prove herself to the Jarl and win her crew’s respect, Ragna undertakes a dangerous expedition. But when forced to decide between her own freedom and the fate of her crew, what will she sacrifice to save what’s left of her home?

Inspired by Norse mythology and J.M. Barrie’s Peter Pan, this companion novel to The Seafarer’s Kiss is a tale of vengeance, valor, honor, and redemption.

To lead this crew, I had to promise them the world and dangle their nightmares from the top of my silver hook.

Before I learned that The Navigator’s Touch was a retelling of Peter Pan, specifically Captain Hook, I wasn’t sure if it would be a sequel, or more like a companion novel that tells the story of what Ragna was doing while Ersel was fighting for her own freedom. In the end, it was both. It’s mostly a sequel, but a few flashback chapters tell us how Ragna lost her hand and got her own crew… that she doesn’t trust.

A lot of this book is about Ragna’s relationship to her crew, which I really enjoyed. Their development in the second half of the book makes you wonder about how reliable Ragna is as a narrator, and whether she was really judging her crew correctly up until that point.

Ragna is a flawed person in many ways – she is motivated by revenge, trauma holds her back from trusting people, and she has the tendency to treat those around her quite badly, including her crew and Ersel. This changes somewhat towards the end, and her progression was interesting to see.

I didn’t kid myself. She was no more mine than the ocean.

It would be difficult to call this book (or even the first one) a romance. Ersel is very clearly bisexual, and Ragna is very clearly a lesbian, and they are clearly attracted to each other and share some romantic moments, but saying they’re in a relationship would be a stretch at this point. They both have different priorities, they treat each other carelessly sometimes, and romance is secondary or even tertiary to the story.

I’m not listing these as bad things – I actually really enjoyed their dynamic and how they both keep their freedom – but I think these are important to know, so that nobody expects a fluffy mermaid romance. I would love to see how their relationship progresses, although even if there is another sequel, I’m not sure how they’ll spend more time together.

You’re asking me if I can let her die. Can you?

Our favourite antagonist, Loki returns in this book, and frankly, I loved all their appearances. I loved the forms they chose, how they played with appearance and voice, how they didn’t technically break their promises. Still, I feel like their involvement here was less than in the first book. I’d rate the first book 9/10 for quality of Loki content, and maybe 6/10 for this one? I also loved the hints and questions about the nature and culture of the gods, e.g. making deals with each other, not having a choice over who they love, etc.

The first book was heavily criticised because the only nonbinary character in it was Loki, the god of lies and trickery, so I’m happy to say that this book has a major nonbinary side character, and casual comments that suggest nonbinay identities are accepted among humans as well. I consider that an improvement.

Overall, I enjoyed both The Seafarer’s Kiss and The Navigator’s Touch, and I actually ended up rating this one a star higher than the first book. I am eager to see where the story goes, because it didn’t sound like the end is anywhere near.

(Also: I would love to see good fanart of Ragna’s marks, because damn.)

~ Alexa

Reviews

In Which I Read Julia Ember and Spread Love For F/F Fantasy (Unicorn Tracks & The Seafarer’s Kiss)

Julia Ember is a writer of fantasy books with (mostly) sapphic main characters. Unicorn Tracks is her debut novel, but The Seafarer’s Kiss seems to be the most popular. I recently read both of her books in the same month (although in reverse order – I read the Seafarer’s Kiss first) and decided to do a double review.

Unicorn TracksUNICORN TRACKS

Mnemba is a tour guide at her cousin’s business where she leads tourists in the wilderness to track rare animals such as… chimeras, manticores, freshwater mermaids and occasionally unicorns?! This story takes place in a fictional fantasy country based on Africa (specifically South Africa if I’m correct), and I loved how most of the story/world was actually realistic, except for, you know, the magical creatures casually living alongside lions and such. The main characters are both sixteen years old girls (so it was a little strange that the blurb refers to them as women) who navigate their own attraction to each other as they try to uncover a plot to use unicorns for illegal deeds. The book is quite short, so there isn’t too much time for details, but we still learn some things about both Mnemba’s and Kara’s cultures. I especially liked the way Mnemba’s culture treated “blood crimes” (mostly rape and murder), which is a big plot point in the book.

tw: mentions of past rape, people expecting the survivor to forgive the rapist, and also an in-book attempted rape

The Seafarer's Kiss (The Seafarer's Kiss #1)THE SEAFARER’S KISS

The Seafarer’s Kiss is a Norse mythology retelling of The Little Mermaid where instead of a sea witch, the main character makes a deal with Loki, god of lies, whose month she was born in.

It actually had much less focus on the love interest than I expected, and more focus on the bisexual main character wanting to get away from an oppressive regime and outplaying the god of trickery. I loved how it was stated explicitly several times that while Ragna is neat, Ersel made her choices for herself (and in some cases her mother/community) only.

I know some people have issues with the fact that the only nonbinary character in the book is the literal god of lies and deceit, and those are entirely valid feelings. I definitely would have appreciated more nonbinary characters (and hope that maybe the sequel will be better in this respect?) but I also have a weak spot for Loki. I loved their representation and how they were both angry and impressed when Ersel outsmarted them.

I can’t wait to see Ragna’s half of the story.

~ Alexa

Reviews

Akata Witch: A Nigerian-American Girl’s Magical Adventure

Akata Witch (Akata Witch, #1)Title: Akata Witch
Author(s): Nnedi Okorafor
Series: Akata Witch #1
Genre: Young Adult/Middle Grade, Fantasy
Published: July 11th 2017 by Speak
LGBTQAI+: None
Other representation: Black Albino character with Nigerian parents, Black Nigerian sidecharacters

Sunny Nwazue lives in Nigeria, but she was born in New York City. Her features are West African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer. There seems to be no place where she fits in. And then she discovers something amazing—she is a “free agent” with latent magical power. And she has a lot of catching up to do.

Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality. But just as she’s finding her footing, Sunny and her friends are asked by the magical authorities to help track down a career criminal who knows magic, too. Will their training be enough to help them against a threat whose powers greatly outnumber theirs?

My rating: 5 stars

This was a wonderful, magical adventure in Nigeria with a protagonist that I loved, and a friend group that anyone would envy.

Sunny is an albino twelve-year-old whose parents are from Nigeria, but she was born in the United States, but now they live in Nigeria again. In this book, she finds out she’s one of the Leopard people (people with magical abilities) – what’s more, she is a free agent, which means that neither of her parents have similar abilities.

I loved how imaginative this book was: all the places, creatures and people encountered, and the culture of the Leopard people was great to read about it. The concept of money being earned by knowledge (yes, money literally falls from the sky when you learn something new) was something that I simply adored. I loved the description of the spirit faces, especially Sunny’s spirit face, and I can’t wait to see how it will become more significant in the second book.

Sunny was a loveable protagonist who stood up for herself against the racism and the sexism and the world, and those who mocked her for her albinism. I loved how she called out all the messed up stuff that was happening. There was only one line that disappointed me where Sunny claimed to be ashamed of being female after she saw some other girls crowd around a boy – it was unnecessarily judgmental and didn’t fit in well with Sunny’s other comments.

I also loved their friendship group, where Sunny makes friends with two other Nigerian kids, and an African American boy who was sent to Nigeria after he got in trouble at his old school. I loved how they worked together, how protective Sasha in particular was of Sunny at the soccer match, and I loved how the differences between Nigerian and African American people were addressed.

‘Akata Witch’ also addressed several events from the real world, from the Nigerian prince scam to witch children (which was a concept entirely new to me, so don’t tell me this book wasn’t educational).

The last thing I expected in this book was a plot about a ritualistic serial killer, but I still got it – and let me tell you, the final showdown between the kids and the antagonist was scary to read, and I feel like the sequel will only get more intense.

All in all, I loved this book, and also: what do you mean the paperback of Akata Warrior isn’t out until October?!

~ Alexa

Reviews

Review: Broad Knowledge

Broad Knowledge (Women Up To No Good #2)Title: Broad Knowledge
Author(s): Joanne Merriam (editor) + 35 authors
Series: Women Up To No Good #2
Genre: Anthology, Dark Fiction, both SFF and realistic stories
Expected publication: November 20th 2018 by Upper Rubber Boot Books
Purchase: Publisher | Kickstarter
LGBTQAI+: 5 of the 35 stories have queer women protagonists
Sex on page: No
I received an ARC through from the publisher in exchange for an honest review.

My rating: 3.75 stars (rounded to 4)

Earlier this month, I posted a guest post by Joanne Merriam where she talks about how she founded Upper Rubber Boot Books, and she also mentioned the Kickstarter she’s currently running for two dark fiction anthologies. I had the pleasure of reading one of these, so I’ll share my experiences with you.

According to the introduction, in all of these stories, the pivotal moments revolve around what the characters know. And nothing is more frightening to the world than a woman who knows things. We all know that knowledge is power, but knowledge is also a very versatile and broad concept, which means that the stories in this anthology were also very versatile.

Overall, I have to say that most of the stories were a solid 3-4 stars for me: there were many creative ideas, but only a few stories really shone for me. However, I also didn’t find any stories that I hated, which is always a good thing, and a pretty good achievement with more than 30 stories. Since reviewing 35 stories would get pretty long, I’m going to stick to what I do with longer anthologies, and only talk about my favourites that really worked for me.

Rainbow is for queer women protagonists, and the little star is for my absolute favourites.

Taking It Back by Joanna Michal Hoyt: How many times did you wish you could take back the last few seconds? Keep that secret that accidentally slipped out, or think of a witty come back? What if you could do it? What if everyone could do it? I absolutely loved that this story explored how society at large would be affected if everyone had their own personal time travel device. (Spoilers: Not well.)

🌟 Frankenstein Sonata by Julie Nováková: What happens in the world of Dr. Frankenstein years and centuries after his death? Would anyone try to follow in his footstep? What can a mother do after she loses a child, and what does music have to do with any of this anyway? You can find the answers to all those questions in this incredibly creative story. The ending of it definitely gave me chills, and I loved the little hints leading up to it.

🌟 First Mouse Model of Innsmouth Fish-Man Syndrome Draft 2 USE THIS VERSION – edits by MK.doc by Megan Chaudhuri: That’s a hell of a title, huh? Maybe you already guessed, but this story was written entirely in the style of an academic paper by a PhD student, with corrections and notes from her supervisor. It was truly like an academic paper in the aspect that it was sometimes tough to read, but it was absolutely worth it. I loved the way the supervisor corrected the student’s emotional/casual wording to academic wording, and, well… the ending was certainly something.

Below The Kirk, Below The Hill by Premee Mohamed: I’m not sure what to say about this story without really spoiling what happens, but it’s about a dead girl washing up on a shore, in a world/culture where the sea and the grass/trees have their own little gods.

🌈 The Cold Waters of Europa by Claudine Griggs: I wasn’t sure about this one at first, but it won me over. A woman tries to stay alive under the ice on Europa in space after their diving expedition is sabotaged. She has also been married to another woman for 14 years, and the relationship is central to the story.

Infinite Boyfriends by Marie Vibbert: Parallel universes, mad scientists best friends, robot armies… and a boyfriend who kinda sucks in all possible universe. There were a couple of things I disliked about this story, but the concept is so good that I just need to give it a shout out.

Profanity by Liz Ulin: This one went from hilarious to really, really dark pretty fast. I probably wouldn’t have liked it without the hopeful ending, but this way it kind of balanced out. It’s about a religious cult, and I strongly recommend checking the trigger warning list at the bottom.

Viva la Muñeca by Perla Palacios: After her mother’s death, a young girl gets revenge in a peculiar way that has everything to do with her family’s traditions. I can’t really tell you much else without spoiling it, but read this story.

🌟 🌈 Blood Sausage by Jae Steinbacher: If you’ve ever read The Cybernetic Tea Shop, you probably thought “damn, I wish there were more stories with queer women where at least one of them is ace, and one is an android”. Fear not, because Jae Steinbacher has you covered. This story is about a mechanic who works on robots that are being used as sex workers, and a robot that wants a chance at freedom.

Matched Set by Aimee Ogden: The world this story takes place in is incredibly misogynistic and unfair to women, and this certainly doesn’t have a happy ending, but I did love that it’s about a woman who thinks she’s above other women until she realises that all they have is each other.

🌟 Your Life Will Look Perfect From Afar by Audrey R. Hollis: Most women have probably dealt with an incredibly sexist male boss who insists he isn’t sexist, he’s just traditional, and it’s just science that men are smarter than women. What are you supposed to do in a situation like that? — Well, maybe not what the protagonist in this story does, but damn if it isn’t a kickass option. I wasn’t sure about this story at first, but the ending twist got me.

🌈 Mary in the Looking Glass by Laura E. Price: This is another story that I kind of feel “meh” about, but it still deserves a place here because it had a bisexual woman protagonist whose lover is… well, Mary in the Looking Glass. And that’s just the best idea I’ve ever read honestly.

🌟 Clara Vox by R.S. Benedict: This one had a reference Apollo and Greek mythology so it automatically gets a star. Okay, no, but I adore Greek mythology so it was great to just randomly come across it in one of the stories. This story is about two women – one of them in serious need of help, and one who uses her god-given powers for good.

As you can see, there really is a variety in the stories – some of them involve mythology or legends, some are sci-fi with robots, and some are realistic/contemporary with a strong woman protagonist. All of the stories go to dark places, although the degree to which they do can also vary a lot.

Below is a list of major triggers that I remember. Please note that this is a dark fiction anthology, so there are likely many triggers I missed (death, for example, appears in most stories, and it’s often murder), I just tried the list the common ones.

Election Season by Rebecca Jones-Howe: major rape tw
Profanity by Liz Ulin: major self-harm tw, beating, religious cults, death of an infant referenced (and, well, profanity)
Blood Sausage by Jae Steinbacher: mention of attempted rape
Mary in the Looking Glass by Laura E. Price: miscarriage
Clara Vox: attempted suicide/suicidal idelation

Again, if you think you might be interested in this anthology, please visit the Kickstarter and consider donating so that it can published!

~ Alexa

Reviews

ARC Review: Baker Thief

Baker ThiefTitle: Baker Thief
Author(s): Claudie Arseneault
Series: first in series
Genre: Fantasy, Urban Fantasy
Published: June 26th 2018 by The Kraken Collective
Purchase: Publisher | Amazon | Book Depository
LGBTQAI+: Aromantic bigender protagonist + biromantic demisexual protagonist, multiple queer side characters (e.g. agender, binary trans, aromantic, lesbian)
Sex on page: No
I received an ARC through from the publisher in exchange for an honest review.

Adèle has only one goal: catch the purple-haired thief who broke into her home and stole her exocore, thus proving herself to her new police team. Little does she know, her thief is also the local baker.

Claire owns the Croissant-toi, but while her days are filled with pastries and customers, her nights are dedicated to stealing exocores. These new red gems are heralded as the energy of the future, but she knows the truth: they are made of witches’ souls.

When her twin—a powerful witch and prime exocore material—disappears, Claire redoubles in her efforts to investigate. She keeps running into Adèle, however, and whether or not she can save her sister might depend on their conflicted, unstable, but deepening relationship.

I don’t have the energy to deal with what the wrong presentation will do to my mind.

My rating: 4 stars

If I had to sum up my feelings in one sentence, it would be this: I loved most of it, except for one thing that really took me out of the story.

(Note: Claire and Claude are two names for the bigender protagonist who uses she and he pronouns, alternating. I wasn’t sure which one to stick with, so this review has both.)

There is a certain feeling of acceptance, understanding, safety and validation that (so far) seems unique to the works of indie queer authors. A sense of understanding that can only be found in a book with an aromantic bigender protagonist, a biromantic demisexual protagonist, these two being in a unique relationship fitting both of their needs, and a cast of nonbinary, aromantic, transgender and otherwise queer side characters (as well as some casual references to polyamory, and SIX CATS). The fact that there is a list of trigger warnings at the beginning with chapter numbers already suggested that I was about to read a book that really cared about its marginalised reader.

That would have almost been enough for me, but Baker Thief had more. It had great sibling relationships – some of which pleasantly surprised me! I knew from the blurb that Claude/Claire had a twin, but I didn’t know that Adéle also had multiple siblings, one of whom is central to the plot and an amazing character as well. Baker Thief also had lots of puns (some French, some English), adorable bakery product drawings as dividers, beautiful descriptions that really made the city feel alive, so many badass (queer) women in leadership positions, and a team of outcast police officers working together. It also had an intriguing plot with terrifying secrets. About twenty pages into this book, I made an update on Goodreads that said “so far, this book feels like a hug”, and I meant it.

… Which is why the one exception to this rule felt like a slap in the face. While there was a warning for accidental misgendering in chapter 14, it didn’t quite prepare me. In this chapter, a new teenage character is introduced, and both Adéle and Claire initially refer to nem as “she/her” and “girl” initially. Once they are told the correct pronouns, they both use those without a problem, but there were two reasons why this felt wrong and unnecessary to me.

1) It’s true that if you accidentally misgender someone, the best thing to do /out loud/ is to quickly apologise and move on with the correct pronouns instead of making a fuss. But if I accidentally misgender someone, I am horrified. Thanks to their POV, we are essentially inside both Adéle’s and Claire’s heads, reading their thoughts and feelings – and there isn’t even a moment of guilt or “oh oops” from either of them when they realise their mistake. No acknowledgment that they fucked up, not even from Claire, who is also bigender and should be aware of how the wrong pronoun can hurt.

2) In the very same scene, there is another character whose gender or pronouns Adéle doesn’t know, so she defaults to using “they” pronouns and neutral language in the narration. Earlier, when a nonbinary character (Nsia) is introduced, they are also described in neutral terms until they state their pronouns. So why didn’t the teenage character, Celosia get the same treatment? Overall, this just didn’t seem to fit into the worldbuilding, and that was exactly why it took me out of the story. Despite no hurtful content later on, this one chapter in a book with more than four hundred pages was enough to burst my bubble of safety, and I felt like I was on my guard for the rest of the book.

On to more positive things: I really appreciated the variety in pronouns used by nonbinary characters (one character uses they/them, one uses ol/ols, one uses ne/nir – Claude alternates between she and he), and it meant a lot to me that Claude explicitly did not drink alcohol and this was accepted and respected by all his friends. I LOVED the way fatness (both Claude’s fatness, and Adéle’s sister putting on weight) was portrayed as a positive thing. I also loved that one of the side characters was originally labelled “the Spinster” by her enemies as an insult to her lack of family or marriage, but she turned it around and turned the nickname into something positive. I loved the bilingualism of the whole thing, and the occasional subtle reminder that the characters were really speaking French even though the book is written in English.

Adéle’s and Claude’s relationship is central to the book, and it’s certainly a complicated one. It’s a relationship where Adéle has romantic feelings for Claude almost from the very beginning, while Claude has sexual attraction early on. Later, Adéle develops sexual attraction as well (she’s demisexual), but Claude still isn’t and will never be romantically interested in her. This was something that they needed to discuss, but I liked how they both were determined to work out a relationship that would fit both of them. (I also liked how they joked around about the shape of this relationship, but that’s spoilers.)

As you can see, overall I loved this book. The fact that I still rated it 4 stars goes to show how much one bad representation of your identity can really ruin a book. Nevertheless, I’d still recommend Baker Thief to everyone because it’s an amazing book with great, affirming messages for all queer people, especially aromantic people.

~ Alexa

Reviews

Review: Into the Mystic, Volume 3

Into the Mystic, Volume ThreeTitle: Into the Mystic, Volume Three
Author(s): Ava Kelly, Bru Baker, Lis Valentine, Michelle Frost, L. J. Hamlin, K. Parr, M. Hollis, Artemis Savory, Ziggy Schutz
Series: Into the Mystic #3
Published: May 7th 2018 by NineStar Press
Purchase: Publisher | Amazon | Book Depository
LGBTQAI+: Lesbian and bisexual women as main characters in every story
Sex on page: Yes, in certain stories (discussed in review)
This review originally appeared on The Lesbrary on 2018. 06. 10.
I received an ARC through NetGalley in exchange for an honest review.

 

Her ghost had once told Clotho that no proper ghost story has a happy ending, because ghosts don’t end. 

It’s no secret that I have a soft spot for fantasy, paranormal and fairytales, so of course I had to pick up an anthology that has nine F/F stories with paranormal elements. While the stories had the paranormal and the sapphic main characters in common, there was a great variety in paranormal creatures, writing style, and my feelings towards them as well.

Some of the stories were truly creative gems with unexpected and rarely seen ideas: the opening story, It Started Before Noon by Ava Kelly is in itself about ideas that are made into stories. The main character is a muse who grows story inspiration in a garden like flowers, but she just can’t get the romance buds right. I loved the little details, like how the different types of stories (comedy, angst, etc.) had different flowers and needed different kinds of care. Swoon by Artemis Savory had siren-like creatures acting like pirates whom I would have loved to learn more about. I loved the myth surrounding these sisters, but I still had so many questions – I would love to read a full length novel with them.

Other stories took more often used concepts or species, but still had the kind of magic that makes them an easy 5-star read. Home by K. Parr centers a wolf pack made up entirely of women, and a college student who is accepted into the pack (and the family) after getting close to the pack’s Alpha. I loved that this story had an older love interest, and I loved the description of the pack dynamics as well. The Hunt by M. Hollis is about a young vampire forever stuck as a teenager who has been adopted by a lesbian vampire couple. On her first hunt, she meets a human girl, and she finds herself wanting to meet her again. I felt like this story ended a little too soon, I would have loved to read more. And By Candlelight by Ziggy Schutz was one of my favourite stories in the anthology: I admit that I still don’t really understand the logic of it, and yet the two main characters and their relationship was so endearing that it absolutely stole my heart.

Vampires and werewolves seemed to be a popular choice for this anthology, and yet each story had some kind of unique spin on it. My Cup of O Pos by L. J. Hamlin has a disabled vampire with Ehlers-Danlos syndmore (ownvoices!) who goes out on a date with the cute human nurse from the ER who treats her with respect and compassion. This story also takes place in a world where vampires are common knowledge and there are laws about what they can and cannot do, and it uses this fictional/fantasy marginalisation to address real-life marginalisations and their intersections as well. Dance With Me by Michelle Frost is a romance between a werewolf and a vampire that left me with many burning questions about the backgrounds of the characters, wishing that there was a longer story to read.

Unfortunately, there were a couple of stories that caught me off guard and I didn’t end up enjoying them much. I am used to most non-YA lesfic I read having at least some kind of sexual content (My Cup Of O Pos has sex scenes as well, and yet I felt like I got to know the characters), but Heart’s Thaw by Bru Baker and Fire and Brine by Lis Valentine were both mostly erotica with very little plot or characterisation. While I liked the original idea in Heart’s Thaw and the twist in Fire and Brine, I felt like I barely got to know anything about the characters, other than the sex scene that takes up half of such a short story.

Overall, I really enjoyed this anthology and I found some true gems in it, but I do wish that the blurb or tags made the sexual content of books clearer. It was especially off-putting because most of the stories didn’t have any sex at all, so having two stories that were purely erotica just didn’t seem to fit in well with the others.

Rating: 4 stars

~ Alexa