Reviews

The Navigator’s Touch: From Ariel to Captain Hook

The Navigator's Touch (The Seafarer's Kiss, #2)Title: The Navigator’s Touch
Author(s): Julia Ember
Series: The Seafarer’s Kiss #2
Genre: Fantasy, Retelling, Mythology
Published: September 13th 2018 by Duet Books
LGBTQAI+: lesbian main character, bisexual love interest, nonbinary side characters
Other representation: disabled main character, fat love interest

After invaders destroyed her village, murdered her family, and took her prisoner, shield-maiden Ragna is hungry for revenge. A trained warrior, she is ready to fight for her home, but with only a mermaid and a crew of disloyal mercenaries to aid her, Ragna knows she needs new allies. Guided by the magical maps on her skin, battling storms and mutiny, Ragna sets sail across the Northern Sea.

She petitions the Jarl in Skjordal for aid, but despite Ragna’s rank and fighting ability, the Jarl sees only a young girl, too inexperienced to lead, unworthy of help. To prove herself to the Jarl and win her crew’s respect, Ragna undertakes a dangerous expedition. But when forced to decide between her own freedom and the fate of her crew, what will she sacrifice to save what’s left of her home?

Inspired by Norse mythology and J.M. Barrie’s Peter Pan, this companion novel to The Seafarer’s Kiss is a tale of vengeance, valor, honor, and redemption.

To lead this crew, I had to promise them the world and dangle their nightmares from the top of my silver hook.

Before I learned that The Navigator’s Touch was a retelling of Peter Pan, specifically Captain Hook, I wasn’t sure if it would be a sequel, or more like a companion novel that tells the story of what Ragna was doing while Ersel was fighting for her own freedom. In the end, it was both. It’s mostly a sequel, but a few flashback chapters tell us how Ragna lost her hand and got her own crew… that she doesn’t trust.

A lot of this book is about Ragna’s relationship to her crew, which I really enjoyed. Their development in the second half of the book makes you wonder about how reliable Ragna is as a narrator, and whether she was really judging her crew correctly up until that point.

Ragna is a flawed person in many ways – she is motivated by revenge, trauma holds her back from trusting people, and she has the tendency to treat those around her quite badly, including her crew and Ersel. This changes somewhat towards the end, and her progression was interesting to see.

I didn’t kid myself. She was no more mine than the ocean.

It would be difficult to call this book (or even the first one) a romance. Ersel is very clearly bisexual, and Ragna is very clearly a lesbian, and they are clearly attracted to each other and share some romantic moments, but saying they’re in a relationship would be a stretch at this point. They both have different priorities, they treat each other carelessly sometimes, and romance is secondary or even tertiary to the story.

I’m not listing these as bad things – I actually really enjoyed their dynamic and how they both keep their freedom – but I think these are important to know, so that nobody expects a fluffy mermaid romance. I would love to see how their relationship progresses, although even if there is another sequel, I’m not sure how they’ll spend more time together.

You’re asking me if I can let her die. Can you?

Our favourite antagonist, Loki returns in this book, and frankly, I loved all their appearances. I loved the forms they chose, how they played with appearance and voice, how they didn’t technically break their promises. Still, I feel like their involvement here was less than in the first book. I’d rate the first book 9/10 for quality of Loki content, and maybe 6/10 for this one? I also loved the hints and questions about the nature and culture of the gods, e.g. making deals with each other, not having a choice over who they love, etc.

The first book was heavily criticised because the only nonbinary character in it was Loki, the god of lies and trickery, so I’m happy to say that this book has a major nonbinary side character, and casual comments that suggest nonbinay identities are accepted among humans as well. I consider that an improvement.

Overall, I enjoyed both The Seafarer’s Kiss and The Navigator’s Touch, and I actually ended up rating this one a star higher than the first book. I am eager to see where the story goes, because it didn’t sound like the end is anywhere near.

(Also: I would love to see good fanart of Ragna’s marks, because damn.)

~ Alexa

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Reviews

Secondhand Origin Stories: The Queer Superhero Team We Deserve

Secondhand Origin Stories (Second Sentinels Book 1)Title: Secondhand Origin Stories
Author(s): Lee Blauersouth
Series: Second Sentinels #1
Genre: Young Adult, Science Fiction/Superheroes
Published: March 15th 2018
LGBTQAI+: 1) nonbinary bisexual MC, xe/xyr pronouns, 2) asexual Deaf cis guy MC, 3) two sapphic girl MCs, one of them a dark-skinned Black girl
Other representation:
multiple Deaf/HoH side characters
I received a copy from the author in exchange for an honest review.

Opal has been planning to go to Chicago and join the Midwest’s superhero team, the Sentinels, since she was a little kid. That dream took on a more urgent tone when her superpowered dad was unjustly arrested for protecting a neighbor from an abusive situation. Now, she wants to be a superhero not only to protect people, but to get a platform to tell the world about the injustices of the Altered Persons Bureau, the government agency for everything relating to superpowers.

But just after Opal’s high school graduation, a supervillain with a jet and unclear motives attacks the downtown home of the Sentinels, and when Opal arrives, she finds a family on the brink of breaking apart. She meets a boy who’s been developing secret (and illegal) brain-altering nanites right under the Sentinel’s noses, another teenage superhero-hopeful who looks suspiciously like a long-dead supervillain, and the completely un-superpowered daughter of the Sentinels’ leader. Can four teens on the fringes of the superhero world handle the corruption, danger, and family secrets they’ve unearthed?

rating: 4 stars

(Please check the specific sections for warnings, especially the nonbinary and Deaf sections.)

Secondhand Origin Stories is about the children of famous superheroes who want to help people as well – and as the title says, this is truly an origin story, where the “real” superhero fights only really happen towards the end. It is a very character-focused novel about both blood and adopted/found family, about growing up in the shadow of your famous parents, and even about the unrightful imprisonment of many Black people.

The characters and the plot: I loved the four main characters in this one, although their dynamic was sometimes a little strange. Jamie, Issac and Yael are friends and siblings who grew up together in the same family, while Opal comes into their world as an outsider. And yet, almost from the beginning they are ready to fight for each other and for the truth. Opal fights for her father who was wrongly imprisoned, and the other three fight with and for their superhero family and the secrets it hides. I loved Yael’s struggle with the identities of xyr birth parents, and I’m sure it will be an important plot point in the rest of the series as well.

This book was emotional, funny, with an all-queer main cast, and I think it handled issues and questions about family nicely. Once I really got into the plot, I ended up loving it. There is also one character that I would love to squee about but I can’t really do it without spoilers, so let me just say this: I LOVE MARTIN SO MUCH.

The nonbinary representation: … So why did I almost decide to abandon it less than halfway in? Because the beginning of the novel was close to torture as a nonbinary reader. One of the characters, Yael is nonbinary and uses xe/xyr pronouns in xyr own POV, but xe isn’t out to anyone other than Jamie and Issac at first, which leads to unintentional misgendering from xyr older family members – and, most importantly, constant misgendering from another POV character, Opal. It’s not really Opal’s fault because she doesn’t know better, but she assumes Yael’s gender (twice, both wrongly), and keeps referring to Yael as “she” in her internal narration. As a nonbinary person who passes as a cis girl, every little “she” by Opal was like another knife wound. It was horrible to read. I would like to say that the author is nonbinary, so I’m sure they have a reason for writing the book this way, but for me, it almost made me put it down. There is also a pretty ugly comment from a bigoted uncle later on.

The asexual representation: I don’t have much to say about Issac being asexual, mostly because it’s never mentioned outside the coming out scene. All I can say is that I /did/ like how the coming out scene was written, and I liked how Issac was defiant and prepared for the others to not think him queer enough, which is unfortunately a sad reality I face as an asexual person. I wish his identity was actually mentioned outside this one scene, but I realise you can only fit so much in one book, so I hope for more of this in the sequel.

The sapphic characters: Okay, so I’m not actually sure what the identities of the two girls are. I think Opal is a lesbian, but the word isn’t used for her. In her coming out scene, Jamie says something along the lines of “I’m not completely straight”, which might imply that she’s bi/pan and not exclusively attracted to girls, but it also might be downplaying it because she’s still questioning.

The Deaf main character: I would like to state that I am not Deaf, so I’m not going to make a judgment of the following, I’m just stating facts so potential readers can be prepared. One of the main characters loses their hearing early on, and trying to “fix” this is a big plot point for the rest of the book. In the end, this character seems to give up on “fixing” themself… for now. It is implied that they might try again in the far future. Also, there are many, many comments that talk about “fixing” and “being normal again”. (There are also positive aspects, especially later on, for example the siblings immediately making steps to learn ASL to make this character more comfortable.)

Overall, I loved this book, although I really wish that the beginning with Yael being closeted would have been handled differently, because it was really hurtful to read. Still, once the correct pronouns were used, I didn’t really have any other issues and just enjoyed the plot and the characters.

~ Alexa

Reviews

In Which I Read Julia Ember and Spread Love For F/F Fantasy (Unicorn Tracks & The Seafarer’s Kiss)

Julia Ember is a writer of fantasy books with (mostly) sapphic main characters. Unicorn Tracks is her debut novel, but The Seafarer’s Kiss seems to be the most popular. I recently read both of her books in the same month (although in reverse order – I read the Seafarer’s Kiss first) and decided to do a double review.

Unicorn TracksUNICORN TRACKS

Mnemba is a tour guide at her cousin’s business where she leads tourists in the wilderness to track rare animals such as… chimeras, manticores, freshwater mermaids and occasionally unicorns?! This story takes place in a fictional fantasy country based on Africa (specifically South Africa if I’m correct), and I loved how most of the story/world was actually realistic, except for, you know, the magical creatures casually living alongside lions and such. The main characters are both sixteen years old girls (so it was a little strange that the blurb refers to them as women) who navigate their own attraction to each other as they try to uncover a plot to use unicorns for illegal deeds. The book is quite short, so there isn’t too much time for details, but we still learn some things about both Mnemba’s and Kara’s cultures. I especially liked the way Mnemba’s culture treated “blood crimes” (mostly rape and murder), which is a big plot point in the book.

tw: mentions of past rape, people expecting the survivor to forgive the rapist, and also an in-book attempted rape

The Seafarer's Kiss (The Seafarer's Kiss #1)THE SEAFARER’S KISS

The Seafarer’s Kiss is a Norse mythology retelling of The Little Mermaid where instead of a sea witch, the main character makes a deal with Loki, god of lies, whose month she was born in.

It actually had much less focus on the love interest than I expected, and more focus on the bisexual main character wanting to get away from an oppressive regime and outplaying the god of trickery. I loved how it was stated explicitly several times that while Ragna is neat, Ersel made her choices for herself (and in some cases her mother/community) only.

I know some people have issues with the fact that the only nonbinary character in the book is the literal god of lies and deceit, and those are entirely valid feelings. I definitely would have appreciated more nonbinary characters (and hope that maybe the sequel will be better in this respect?) but I also have a weak spot for Loki. I loved their representation and how they were both angry and impressed when Ersel outsmarted them.

I can’t wait to see Ragna’s half of the story.

~ Alexa

Reviews

The Gentleman’s Guide to Vice and Virtue: Was This Book Written For Me?

The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1)Title: The Gentleman’s Guide to Vice and Virtue
Author(s): Mackenzi Lee
Series: Montague Siblings #1
Genre: Historical Fiction, LGBTQAI+
Published: June 27th 2017 by Katherine Tegen Books
LGBTQAI+: bisexual protagonist, biracial + bisexual male love interest, a-spec side character (the latter is not detailed in this book, but there are hints)

Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.

But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.

Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

“I flirted my way into this mess and I’m going to flirt my way out of it”
– Monty, probably

My rating: 5 stars

It was strange to read this book right after Six of Crows (a hyped book that ultimately disappointed me) because this one is just as hyped and I loved it exactly as much as everyone said I would.

The Gentleman’s Guide had everything I personally wanted or needed: a bisexual protagonist, a biracial love interest, an incredibly soft friends-to-lovers romance with some mutual pining and slow burn, a girl who just really wants to be a doctor in the 1700s, a complicated sibling relationship, and complex characters all around. Also, travelling, and specifically travelling while being chased because you accidentally uncovered a huge secret and now that you’re in this mess you just have to see it through.

I was in love from the first scene, which was a little strange, because I usually find it uncomfortable to read about characters being drunk or hungover. Still, Monty does it so endearingly and Mackenzi Lee writes so nicely that I only found the opening funny and captivating.

Perhaps I am trying to procreate with all these lads and I’m just very misinformed about the whole process. If only Eton hadn’t thrown me out.

At first glance, Monty is the epitome of the privileged rich, white, abled guy who – despite having good intentions and not being intentionally mean – has many flaws and misconceptions about disabled people and people of colour. He himself states at the beginning of the novel that he’s had an easy life, and nothing bad has ever happened to him. And yet, it doesn’t take too long to find out that it’s not true at all: he’s been emotionally and physically abused, he’s been made to feel inadequate and trapped, for more reasons than “just” for lying with men. There were many scenes in this book where I found myself mad at Monty, but in the end I loved how he had plenty of flaws and you could see him try to do better and improve when he clearly had a long way to go. He was very relatable, and I never thought I’d relate to a rich kid from the 1700s.

I don’t know how Felicity knows what bones are meant to feel like.
I’m also not clear how Felicity knows the best way to throw a punch.

Felicity is a teenage girl who longs for a proper education and medical school, and watches her brother throw away the opportunities that she’ll never have because of her gender. She is also an incredibly funny and headstrong girl who cares about both Percy and Monty, even if they don’t get along with the latter. I can’t wait to see a book from her POV in the sequel, because words cannot describe how amazing she is. She was also very relatable, mainly in her love of books and not being good at parties.

Lucky for me as well, or else we might never have met, and then what would have been the point of my life?

With Percy, I’m a little conflicted. I felt like he didn’t have much personality outside of being biracial and experiencing racism + his relationship with Monty + a spoiler-y disability that becomes an important plot point. Of course, these are all big things and part of his identity (and I loved how living as a dark-skinned man and as a disabled man in the 1700s was addressed), but I still felt like something was lacking.

The only complaint I really have that this book had two different jokes about slitting your wrists, which is both unnecessary and something I’m personally pretty sensitive about, so it wasn’t pleasant to read. (I know it’s a little contrary, because joking about being dead or even killing yourself is something depressed/suicidal people often do as coping, but here both of the wrists comments felt kind of careless and very different from the heavy scene where Monty says he wants to die.)

warnings: significant homophobia and racism because of the time period, physical and emotional abuse by a parent, the aforementioned suicide jokes

~ Alexa

Reviews

The Unbinding of Mary Reade: I’m Pretty Sure That Title Is A Pun

The Unbinding of Mary ReadeTitle: The Unbinding of Mary Reade
Author(s): Miriam McNamara
Series: 
Genre: Historical Fiction, Pirates, LGBTQAI+
Published: June 19th 2018 by Sky Pony Press
LGBTQAI+: bisexual (MGA) protagonist who has both male and female love interests
I received an ARC through through NetGalley in exchange for an honest review.
This review was originally published on The Lesbrary.

There’s no place for a girl in Mary’s world. Not in the home of her mum, desperately drunk and poor. Not in the household of her wealthy granny, where no girl can be named an heir. And certainly not in the arms of Nat, her childhood love who never knew her for who she was. As a sailor aboard a Caribbean merchant ship, Mary’s livelihood—and her safety—depends on her ability to disguise her gender.

At least, that’s what she thinks is true. But then pirates attack the ship, and in the midst of the gang of cutthroats, Mary spots something she never could have imagined: a girl pirate.

The sight of a girl standing unafraid upon the deck, gun and sword in hand, changes everything. In a split-second decision, Mary turns her gun on her own captain, earning herself the chance to join the account and become a pirate alongside Calico Jack and Anne Bonny.

For the first time, Mary has a shot at freedom. But imagining living as her true self is easier, it seems, than actually doing it. And when Mary finds herself falling for the captain’s mistress, she risks everything—her childhood love, her place among the crew, and even her life.

Breathlessly romantic and brilliantly subversive, The Unbinding of Mary Reade is sure to sweep readers off their feet and make their hearts soar.

My rating: 3.5 stars

I’ve been obsessed with Mary Read ever since I played AC: Black Flag, and while nobody can live up to that interpretation of Mary for me, I was really excited to read a book about her and see a different take. I found that the title matches the book beautifully, because it is truly first and foremost a story of Mary, and her discovering herself and what she wants.

Mary and Anne are both bisexual women living among pirate men in different ways. They both have relationships with and long for men for most of the book, but at the same time, there is a budding attraction between the two of them that eventually wins. While I don’t think Mary is meant to be nonbinary, due to being forced to live her life as a man she had some “don’t belong to either gender” feelings that were personally relatable to me as a nonbinary person.

One thing that kind of ruined my enjoyment was that… every single men in this book is absolute trash (except for Paddy, who is golden, and Jack and Nat, who are mostly decent). But seriously, everyone other than them is a misogynistic, homophobic trash, and while this might have been realistic, it was not enjoyable to read about. Anne was abused by her husband in the past and spends the second half of the book trying to break free of him for good, while Mary experiences violence both as a woman, and as someone thought to be a gay man.

The ending dragged on a little for me. This book has very short chapters, and when I saw from the page number that I’m towards the end, I had six different chapter ends where I thought “oh, that would be a pretty cool ending sentence” and then it wasn’t. Everytime I thought this was the ending, the story just went on. In the end, I ended up really liking the /actual/ ending and how it all came full circle, but this was still a little strange.

One thing that might be interesting to people (especially people looking to fill a reading challenge prompt maybe… I’ve seen prompts like this before) is that this book has a dual timeline – there is a “present”, but there are also several flashback chapters that detail how Mary ended up where she was at the beginning of the book. Without spoiling much, I can say that I really liked how these two timelines “interacted” with each other and supported each other.

I had some mixed feelings about the book, but overall I liked it. It could have been heavier on pirate adventures, but I liked Mary’s character arc and discovering herself. Also, the cover is beautiful.

~ Alexa

Reviews

Once Upon a Rainbow, Volume Three: A Collection of LGBTQAI+ Fairytales

Once Upon a Rainbow, Volume ThreeTitle: Once Upon a Rainbow, Volume Three
Author(s): W.M. Fawkes, Valentine Wheeler, Mark Lesney,  Sam Burns, A.E. Ross, Elna Holst, N.J. Romaine
Series: Once Upon a Rainbow #3
Genre: LGBTQAI+, Fantasy, Retelling
Published: July 2nd 2018 by NineStar Press
LGBTQAI+: mostly gay and lesbian main characters, including a couple that are asexual, bi or transgender
I received an ARC through through NetGalley in exchange for an honest review.

Your favorite stories from childhood have a new twist. Seven fairy tales of old with characters across the LGBTQIA+ spectrum.

Green Things Grow from Cinders by A.E. Ross – Glass slippers aren’t for everyone.

Gretel on Her Own by Elna Holst – This time around, Gretel Kindermann is on her own. Or is she?

Bremen Town Musicians by Mark Lesney – Loss and love on the road to Bremen Town.

The Scent of Magic by N.J. Romaine – Who can win a hunt against the Big Bad Wolf?

The Rescue by Sam Burns – Saving princesses is hard work. Getting out of marrying them is harder.

Loose in the Heel, Tight in the Toe by Valentine Wheeler – The shoe fits, the prince is won: now what?

Baile de la Marioneta by W.M. Fawkes – No one else can pull his strings.

Average rating: 4 stars

Overall thoughts: This was a bit of a mixed bag. There were some stories I really loved, and others I really didn’t. I did appreciate that it wasn’t only cis LG retellings, and there were ace and trans characters in some of the stories as well. (Well, one of each, really.)

baile de marioneta by w.m. fawkes: cis M/M. A guy carves a naked guy from wood for his class and the wood guy comes to life. The moment where I realised this was a Pinocchio retelling (for an older age group, certainly) was during the sex scene where the wooden guy started lying and well, it wasn’t his nose that grew. I was going to give it 3 stars on its own, but compared to some of the others it’s 2.5 at best for me.

loose in the hell, tight in the toe by valentine wheeler: This story doesn’t center romance – it’s about a lesbian Cinderella and an asexual prince getting married for their mutual benefit, and also about Cinderella helping her stepsisters and other young girls who are being forced into marriages get away from their abusive family. I also loved that the Fairy Godmother couldn’t magically solve everything, so Cinderella stepped up and did it herself. 5 stars.

green things grow from cinders by a.e.ross: trans M/cis M. Another Cinderella retelling, this time in a modern setting and with a trans guy Cinderella and a cis guy “prince”, which is certainly a first for me. I absolutely loved this story, and I loved how Roman never really commented on Ash being trans, and also how Roman was explicitly bi. Also, I love the title. tw: unintentional misgendering (Ash isn’t out to his friends at first). 5 stars.

the scent of magic by n.j. romaine: cis F/F. This story had everything. It’s a Little Red Riding Hood retelling where the Red/Wolf/Hunter trio isn’t what you’d expect, but it also has a Sleeping Beauty sideplot with a nonbinary Sleeping Beauty (kudos for introducing me to the word “princet”), and also lots of faeries and fae court politics. My only complaint is that it wasn’t a full-length novel: I would have loved to see the rescue of the prince itself. 5 stars.

the rescue by sam burns: cis M/M. “Saving princesses is hard work. Getting out of marrying them is harder.” This was a little funny because I was /so sure/ that I knew the twist but then the twist ended up being something completely different. It’s a M/M romance between a knight and… the friend of a princess. I’m giving 4.5 stars in comparison to the others, because it didn’t quite measure up to the ones I rated 5 stars, but it was still great.

the bremen town musicians by mark lesney: cis M/M. Ehhhhhhh. So like, this is a retelling of a tale with animals, where the characters are actually humans this time but they’re still kind of treated as animals. Also, you know that thing in fairytales when there’s some really fucked up abuse or violence going on but you never really question it as a kid, especially with animal characters? Well, this story has that too, but either because of my age or the human characters it’s more difficult to overlook. tldr; I didn’t enjoy reading this. There is a m/m romance sideplot but it’s not really central. tw: abuse, casual discussion of rape, gy*psy slur used several times. 2.5 stars

gretel on her own by elna holst: This is a cis F/F story where I couldn’t decide whether it’s supposed to be a mystery/horror or a romance, and for most of the story I wondered if there was going to be a positive ending at all. Constant suspicion of the love interest isn’t really what I want in a romance, but I suppose the constant suspicion/questioning was the point. 3.5 stars.

~ Alexa

Reviews

You’re You: A Contemporary About Questioning Sexuality

You're YouTitle: You’re You
Author(s): Mette Bach
Series: 
Genre: Young Adult, Contemporary
Published: August 1st 2018 by Lorimer
LGBTQAI+: questioning main character (lesbian -> bisexual), multiple gay side characters
I received an ARC through through NetGalley in exchange for an honest review.

In this book author Mette Bach offers a believable portrayal of an LGBTQ teen who has always identified as a lesbian. When she finds herself attracted to a South Asian boy, she comes to a new identity for herself as bisexual.

17-year-old Freyja is outspokenly lesbian and politically active about LGBTQ issues at her school’s Gay-Straight Alliance. When her girlfriend Rachel breaks up with her, she suspends her work on the online video blog they created together to celebrate their pride. Instead she starts volunteering at the local food bank. But she can’t figure out why the team leader at the food bank, a guy named Sanjay, doesn’t seem to approve of her. Freyja learns about food justice, and becomes attracted to Sanjay’s passion for the cause. As her friendship with Sanjay grows, she realizes that they connect in a way she never did with Rachel. But can Freyja be in love with Sanjay if she identifies as a lesbian? When members of her school’s GSA assume that Freyja has “gone straight” and oppose her leadership of the group, Freyja has to choose between sticking with her old idea of herself — and taking a chance on love.

My rating: 3.5 stars

I picked up this book because it was about a girl who identifies as a lesbian realising she’s bisexual. This is something that is completely normal in real life, but it can be done really badly in fiction, so I wasn’t sure what to expect.

Overall, I’d say that Freyja’s character, struggle and questioning was realistic. There wasn’t anything to suggest that “lesbians will realise they like guys eventually” – the questioning was strictly about Freyja’s herself, as it should have been. However, while I think the questioning was handled well on Freyja’s part, the straight male love interest’s attitude sometimes made me uncomfortable, especially the way she suggested that labels weren’t important.

Now, onto the rest of the plot: One of my favourite things was that the book really dealt with important issues. Freyja thinks queer issues are important and leads her local GSA, but she also volunteers at the local food bank because she wants to make a difference and help people who are in need. I admit that sometimes both her and Sanjay seemed a little extreme and preachy, but overall I really liked that they were shown to be active and conscious teenagers.

I also liked that Freyja wasn’t perfect: she was a little too controlling, a little too aggressive sometimes, but it was called out. She realised that she had to improve, and actually made an effort to do so, which was great. That being said, Freyja also had the tendency to be really judgmental of other girls, and I don’t feel like this part was addressed adequately.

As for the writing style, this book used a lot of very short sentences that could have easily been combined for easier flow. This was sometimes really distracting, and I think it could have benefited from more… variety in sentence-lengths.

One issue I had with the book was that at least three times in the story, Freyja uses queer and lesbian interchangably. When people assume she is attracted to guys, she laughs and says “I’m queer” like that should explain why they are wrong, even though “queer” is an umbrella term that includes PLENTY of girls who are still attracted to guys. Just say gay or lesbian, damnit.

There were also a couple of lines about race that made me uneasy, but since I’m white, it’s not really my place to judge if they are bad, so I’m only describing them: It is not clear what race Freyja is, but I’m fairly certain she is white, and yet she has dreadlocks. There is also a part where she’s talking to the Indian love interest, Freyja says something about “guys like you”, Sanjay asks “what guys? brown guys?” and Freyja is immediately insulted because how dare anyone assume she would ever say something racist? The conversation itself was okay, but the fact that Freyja got so badly insulted by the mere assumption was just weird.

In short, this book had some issues but all in all it was a good read. I wish we had more questioning protagonists in YA who are allowed to question and have their identity change without being judged for it.

~ Alexa

Reviews

Omen Operation: The Ultimate Bisexual Squad

Omen Operation (The Isolation Series #1)Title: Omen Operation
Author(s): Taylor Brooke
Series: The Isolation Series #1
Genre: Young Adult, Science Fiction
Published: June 18th 2018 by NineStar Press (re-release)
LGBTQAI+: multiple bisexual mains (both male and female), gay side character
Sex on page: No
I received an ARC through through NetGalley in exchange for an honest review.

An epidemic hits the country, and Brooklyn Harper is stolen from the life she knew.

Implanted in a rural camp, Brooklyn and her friends are severed from their families and the outside world. Each day is filled with combat training to assure their safety against a mysterious virus and the creatures it creates—violent humanoids with black blood.

Two years later, Brooklyn’s cabin-mate, Dawson Winters, finds a letter that shatters the illusion they’ve been living in. There is a world outside Camp Eleven, and the virus that supposedly destroyed their country seems non-existent.

After a daring escape, Brooklyn finds the world they’ve left behind harbors the normalcy she remembers. But when they are attacked by a black-blooded creature in the city, Brooklyn and her friends realize there is more to Camp Eleven than they thought.

Someone took them, someone trained them, and now someone is trying to find them.

As their exploration continues, the group is faced with impossible feats while betrayal, love, and secrets force Brooklyn and her friends to fight for their life, their freedom, and most of all, each other.

My rating: 3 stars

All I knew about this book going in was that it had a bisexual MC, and there’s maybe a female love interest. In reality, the four core characters in this book are all bisexual (two guys and two girls), and they are involved with each other in all kinds of combinations – so, the bisexual female MC has both a female and a male love interest who are both bisexual themselves.

While there are no central nonbinary characters, there is a small acknowledgment that bisexuality isn’t only about being attracted to the binary genders, so that was nice. As I said, Brooklyn is both into Gabriel (female) and Porter (male) and Gabriel is dating Dawson (male) who Porter is also into, but I’d hesitate to call it real polyamory – although that might be where the series is heading. I’m curious to see how these relationships evolve in the next book(s).

As for the plot… honestly, I don’t have much to say that wasn’t already in the blurb. Half the big secrets were already revealed in the first chapter, which felt a little soon, I would have preferred more time in the camp maybe. Then something happened to my favourite character around halfway in that just made me stop caring about the book, and if not for the last chapter, I probably wouldn’t have rated it above 2 stars.

All in all, this was an okay read and I certainly appreciate the amount of queer representation, but it felt very much like the beginning of something, like an introduction, and I don’t think it’s particularly enjoyable without the rest of the series.

~ Alexa

Reviews

ARC Review: Baker Thief

Baker ThiefTitle: Baker Thief
Author(s): Claudie Arseneault
Series: first in series
Genre: Fantasy, Urban Fantasy
Published: June 26th 2018 by The Kraken Collective
Purchase: Publisher | Amazon | Book Depository
LGBTQAI+: Aromantic bigender protagonist + biromantic demisexual protagonist, multiple queer side characters (e.g. agender, binary trans, aromantic, lesbian)
Sex on page: No
I received an ARC through from the publisher in exchange for an honest review.

Adèle has only one goal: catch the purple-haired thief who broke into her home and stole her exocore, thus proving herself to her new police team. Little does she know, her thief is also the local baker.

Claire owns the Croissant-toi, but while her days are filled with pastries and customers, her nights are dedicated to stealing exocores. These new red gems are heralded as the energy of the future, but she knows the truth: they are made of witches’ souls.

When her twin—a powerful witch and prime exocore material—disappears, Claire redoubles in her efforts to investigate. She keeps running into Adèle, however, and whether or not she can save her sister might depend on their conflicted, unstable, but deepening relationship.

I don’t have the energy to deal with what the wrong presentation will do to my mind.

My rating: 4 stars

If I had to sum up my feelings in one sentence, it would be this: I loved most of it, except for one thing that really took me out of the story.

(Note: Claire and Claude are two names for the bigender protagonist who uses she and he pronouns, alternating. I wasn’t sure which one to stick with, so this review has both.)

There is a certain feeling of acceptance, understanding, safety and validation that (so far) seems unique to the works of indie queer authors. A sense of understanding that can only be found in a book with an aromantic bigender protagonist, a biromantic demisexual protagonist, these two being in a unique relationship fitting both of their needs, and a cast of nonbinary, aromantic, transgender and otherwise queer side characters (as well as some casual references to polyamory, and SIX CATS). The fact that there is a list of trigger warnings at the beginning with chapter numbers already suggested that I was about to read a book that really cared about its marginalised reader.

That would have almost been enough for me, but Baker Thief had more. It had great sibling relationships – some of which pleasantly surprised me! I knew from the blurb that Claude/Claire had a twin, but I didn’t know that Adéle also had multiple siblings, one of whom is central to the plot and an amazing character as well. Baker Thief also had lots of puns (some French, some English), adorable bakery product drawings as dividers, beautiful descriptions that really made the city feel alive, so many badass (queer) women in leadership positions, and a team of outcast police officers working together. It also had an intriguing plot with terrifying secrets. About twenty pages into this book, I made an update on Goodreads that said “so far, this book feels like a hug”, and I meant it.

… Which is why the one exception to this rule felt like a slap in the face. While there was a warning for accidental misgendering in chapter 14, it didn’t quite prepare me. In this chapter, a new teenage character is introduced, and both Adéle and Claire initially refer to nem as “she/her” and “girl” initially. Once they are told the correct pronouns, they both use those without a problem, but there were two reasons why this felt wrong and unnecessary to me.

1) It’s true that if you accidentally misgender someone, the best thing to do /out loud/ is to quickly apologise and move on with the correct pronouns instead of making a fuss. But if I accidentally misgender someone, I am horrified. Thanks to their POV, we are essentially inside both Adéle’s and Claire’s heads, reading their thoughts and feelings – and there isn’t even a moment of guilt or “oh oops” from either of them when they realise their mistake. No acknowledgment that they fucked up, not even from Claire, who is also bigender and should be aware of how the wrong pronoun can hurt.

2) In the very same scene, there is another character whose gender or pronouns Adéle doesn’t know, so she defaults to using “they” pronouns and neutral language in the narration. Earlier, when a nonbinary character (Nsia) is introduced, they are also described in neutral terms until they state their pronouns. So why didn’t the teenage character, Celosia get the same treatment? Overall, this just didn’t seem to fit into the worldbuilding, and that was exactly why it took me out of the story. Despite no hurtful content later on, this one chapter in a book with more than four hundred pages was enough to burst my bubble of safety, and I felt like I was on my guard for the rest of the book.

On to more positive things: I really appreciated the variety in pronouns used by nonbinary characters (one character uses they/them, one uses ol/ols, one uses ne/nir – Claude alternates between she and he), and it meant a lot to me that Claude explicitly did not drink alcohol and this was accepted and respected by all his friends. I LOVED the way fatness (both Claude’s fatness, and Adéle’s sister putting on weight) was portrayed as a positive thing. I also loved that one of the side characters was originally labelled “the Spinster” by her enemies as an insult to her lack of family or marriage, but she turned it around and turned the nickname into something positive. I loved the bilingualism of the whole thing, and the occasional subtle reminder that the characters were really speaking French even though the book is written in English.

Adéle’s and Claude’s relationship is central to the book, and it’s certainly a complicated one. It’s a relationship where Adéle has romantic feelings for Claude almost from the very beginning, while Claude has sexual attraction early on. Later, Adéle develops sexual attraction as well (she’s demisexual), but Claude still isn’t and will never be romantically interested in her. This was something that they needed to discuss, but I liked how they both were determined to work out a relationship that would fit both of them. (I also liked how they joked around about the shape of this relationship, but that’s spoilers.)

As you can see, overall I loved this book. The fact that I still rated it 4 stars goes to show how much one bad representation of your identity can really ruin a book. Nevertheless, I’d still recommend Baker Thief to everyone because it’s an amazing book with great, affirming messages for all queer people, especially aromantic people.

~ Alexa

Reviews

Review: Into the Mystic, Volume 3

Into the Mystic, Volume ThreeTitle: Into the Mystic, Volume Three
Author(s): Ava Kelly, Bru Baker, Lis Valentine, Michelle Frost, L. J. Hamlin, K. Parr, M. Hollis, Artemis Savory, Ziggy Schutz
Series: Into the Mystic #3
Published: May 7th 2018 by NineStar Press
Purchase: Publisher | Amazon | Book Depository
LGBTQAI+: Lesbian and bisexual women as main characters in every story
Sex on page: Yes, in certain stories (discussed in review)
This review originally appeared on The Lesbrary on 2018. 06. 10.
I received an ARC through NetGalley in exchange for an honest review.

 

Her ghost had once told Clotho that no proper ghost story has a happy ending, because ghosts don’t end. 

It’s no secret that I have a soft spot for fantasy, paranormal and fairytales, so of course I had to pick up an anthology that has nine F/F stories with paranormal elements. While the stories had the paranormal and the sapphic main characters in common, there was a great variety in paranormal creatures, writing style, and my feelings towards them as well.

Some of the stories were truly creative gems with unexpected and rarely seen ideas: the opening story, It Started Before Noon by Ava Kelly is in itself about ideas that are made into stories. The main character is a muse who grows story inspiration in a garden like flowers, but she just can’t get the romance buds right. I loved the little details, like how the different types of stories (comedy, angst, etc.) had different flowers and needed different kinds of care. Swoon by Artemis Savory had siren-like creatures acting like pirates whom I would have loved to learn more about. I loved the myth surrounding these sisters, but I still had so many questions – I would love to read a full length novel with them.

Other stories took more often used concepts or species, but still had the kind of magic that makes them an easy 5-star read. Home by K. Parr centers a wolf pack made up entirely of women, and a college student who is accepted into the pack (and the family) after getting close to the pack’s Alpha. I loved that this story had an older love interest, and I loved the description of the pack dynamics as well. The Hunt by M. Hollis is about a young vampire forever stuck as a teenager who has been adopted by a lesbian vampire couple. On her first hunt, she meets a human girl, and she finds herself wanting to meet her again. I felt like this story ended a little too soon, I would have loved to read more. And By Candlelight by Ziggy Schutz was one of my favourite stories in the anthology: I admit that I still don’t really understand the logic of it, and yet the two main characters and their relationship was so endearing that it absolutely stole my heart.

Vampires and werewolves seemed to be a popular choice for this anthology, and yet each story had some kind of unique spin on it. My Cup of O Pos by L. J. Hamlin has a disabled vampire with Ehlers-Danlos syndmore (ownvoices!) who goes out on a date with the cute human nurse from the ER who treats her with respect and compassion. This story also takes place in a world where vampires are common knowledge and there are laws about what they can and cannot do, and it uses this fictional/fantasy marginalisation to address real-life marginalisations and their intersections as well. Dance With Me by Michelle Frost is a romance between a werewolf and a vampire that left me with many burning questions about the backgrounds of the characters, wishing that there was a longer story to read.

Unfortunately, there were a couple of stories that caught me off guard and I didn’t end up enjoying them much. I am used to most non-YA lesfic I read having at least some kind of sexual content (My Cup Of O Pos has sex scenes as well, and yet I felt like I got to know the characters), but Heart’s Thaw by Bru Baker and Fire and Brine by Lis Valentine were both mostly erotica with very little plot or characterisation. While I liked the original idea in Heart’s Thaw and the twist in Fire and Brine, I felt like I barely got to know anything about the characters, other than the sex scene that takes up half of such a short story.

Overall, I really enjoyed this anthology and I found some true gems in it, but I do wish that the blurb or tags made the sexual content of books clearer. It was especially off-putting because most of the stories didn’t have any sex at all, so having two stories that were purely erotica just didn’t seem to fit in well with the others.

Rating: 4 stars

~ Alexa